For example, ink should not spread into the o and make it a bullet, an “l” should be distinguishable from an “i” and the parallel strokes within an h, m, n or u should not run into each other. It means that from a narrow-printing or downsized point of view, a text can still be read. The two characteristics “legibility” and “economy of space” interact. Times New Roman is appropriate for reading plain texts such as contracts and for that purpose, it uses space economically – nothing more, nothing less. Some people believe that Times New Roman is furthermore characterised by the varied rhythm between thick strokes and fine hairlines, and between the various movements of the stems, bowls and stresses I believe it would be more appropriate to reserve those qualifications for Garamond. Whilst Times New Roman became a timeless artistic symbol of its era, the characteristic “economy of space” also reflects its spirit of the age. The resulting design, Times New Roman, is based on the Plantin typeface redesign of 1913, the original design of which goes back on the 16 th century Garamond typeface. In response, The Times commissioned a typeface design company, Monotype, to improve the newspaper’s “economy of space” and “legibility”. By introducing the new typeface, the English The Times responded to a criticism about its newspaper being printed badly and typographically behind the times.
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